Research
Alice in Wonderland was first performed as a muscial between 1841-1893 by Henry Saville Clark. The music was produced by Walter Slaughter and Aubrey Hopwwod. The musical was based upon Lewis Carroll's books; 'Alice's Adventures in Wonderland' and 'Through the Looking Glass.' With the permission of Carroll, Saville created "A musical dream play in two acts" and it achieved a lot of popularity. Caroll's only request was to retain the old tunes in the parodies, such as "Bonny Dundee"
"The pantomime opened on 23 December 1886 at the Prince of Wales Theatre in London. Phoebe Carlo played Alice. The Theatre wrote in its review, "Alice in Wonderland will not appeal to the children alone. ... Mr. Savile Clark has done wonders. ... The play is beautifully mounted, and splendidly acted, Miss Phœbe Carlo being very successful as the little heroine... she played in a delightful and thoroughly artistic fashion, and in this respect she was closely followed by a tiny mite, Miss Dorothy D'Alcort, who plays first the Dormouse. ... Mr. Edgar Bruce, Mr. Walter Slaughter (who has written some charming music for the piece), and Mr. Savile Clark, all deserve unstinted praise." The piece was frequently revived over the next four decades."
Act I, "Alice's Adventures in Wonderland", is in two scenes: "A Forest in Autumn" and "A Glade in Wonderland".[7] Act II, "Through the Looking Glass", consists of four scenes: "Through the Looking Glass"; "The Garden of Live Flowers"; "A Sea-Shore"; and "The Banqueting Hall – The Forest Again."[7] A review in The Theatre summarised the story as follows:
The story runs glibly, opening with a chorus of fairies surrounding Alice asleep in a chair beneath a tree, from there we progress splendidly, making a new acquaintance with all our old friends, the White Rabbit, the Caterpillar, the duchess with her Baby, the Cook with her reckless use of pepper, the Cheshire Cat with his remarkable smile, the Hatter, the Hare, and the Dormouse, who have their perpetual tea party, and treat Alice to conundrums and unconventional rudeness. Then comes a long and brilliant procession, which should fill Alice's heart with awe, if not with admiration, but our heroine is nothing daunted by this large crowd. "Why, they're only a pack of cards," she says, "I needn't be afraid of them?" and so she answers the sanguinary-minded queen of Hearts, in a reckless manner, and refuses to see heads knocked off in such profusion. She then dances with the Cards in a graceful gavotte, and afterwards protects her old friend, the Cheshire Cat, from an undeserved execution. The Gryphon and Mock Turtle then appear, and Alice receives some hints as to a sea education, and the first act of the dream play for children ends with the trial of the Knave of Hearts for eating the tarts, in which Alice's verdict of acquittal is unanimously passed.
[http://en.wikipedia.org/wiki/Alice_in_Wonderland_(musical)]
1898 revival: "
Miss Rose Hersee in Alice in
Wonderland talking to the
White Rabbit"
From this research I have found out that Alice in Wonderland the Musical has been performed from a long period of time, hence its popularity. It appeals to both children and adults because of its magical mystery that captivates the audience. This research has also helped me because it has allowed me to see the differences and similarities of the storyline of this musical compared to the film adaptations. For example, in Tim Burton's film adaptation of Alice in Wonderland, it focuses more on Alice returning back to Wonderland 13 years later. Alice is now a grown woman and is told that she is the only one that can slay the Jabberwocky a dragon like creature controlled by the Red Queen. Alice also faces other torubles in her real life, such as the death of her beloved father, and an unwanted proposal. However, similarities still remain such as the characters. It shows that as time has moved on, producers have become more and more creative and have produced bigger and better adaptations of Alice in Wonderland, depicting an exciting adventure.
ReplyDelete